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in 8mm home movies</image:caption></image:image><image:image><image:loc>https://consideringfilm.com/wp-content/uploads/2015/06/vlcsnap-2015-05-13-15h39m41s554.png</image:loc><image:title>vlcsnap-2015-05-13-15h39m41s554</image:title><image:caption>Trip in the present</image:caption></image:image><image:image><image:loc>https://consideringfilm.com/wp-content/uploads/2015/06/vlcsnap-2015-05-13-16h15m17s458.png</image:loc><image:title>vlcsnap-2015-05-13-16h15m17s458</image:title><image:caption>...and implied in others</image:caption></image:image><image:image><image:loc>https://consideringfilm.com/wp-content/uploads/2015/06/vlcsnap-2015-05-14-12h20m40s959.png</image:loc><image:title>vlcsnap-2015-05-14-12h20m40s959</image:title><image:caption>The boys' presence as interviews is confirmed in several sequences...</image:caption></image:image><image:image><image:loc>https://consideringfilm.com/wp-content/uploads/2015/06/vlcsnap-2015-05-13-15h48m07s429.png</image:loc><image:title>vlcsnap-2015-05-13-15h48m07s429</image:title><image:caption>Coppola uses optical effects to depict what is known rather than simply what is visible</image:caption></image:image><image:image><image:loc>https://consideringfilm.com/wp-content/uploads/2015/06/vlcsnap-2015-05-13-15h21m12s586.png</image:loc><image:title>vlcsnap-2015-05-13-15h21m12s586</image:title><image:caption>Mr. Lisbon demonstrates his models of WWII aircraft</image:caption></image:image><image:image><image:loc>https://consideringfilm.com/wp-content/uploads/2015/06/vlcsnap-2015-05-14-12h20m01s085.png</image:loc><image:title>vlcsnap-2015-05-14-12h20m01s085</image:title><image:caption>The false idyll of the Detroit suburbs, circa 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