“You either steal with a gun or a pen.”
Authorship in documentary filmmaking can be a tricky subject. It’s partly to do with the propriety of intellectual material; primarily, though, the ideal audience is willing and able to ascribe […]
Authorship in documentary filmmaking can be a tricky subject. It’s partly to do with the propriety of intellectual material; primarily, though, the ideal audience is willing and able to ascribe […]
Whenever a film depicts the lives of fictitious individuals against a noteworthy historical backdrop, the question must be raised: do the filmmakers use their characters to humanize an otherwise emotionally […]
Andrea Arnold’s Heathcliff is sort of a bastard. Not in the sense that nothing is known of his lineage — he’s just a downright selfish and obstinate bastard. Of course, […]
Todd Solondz has at this point firmly established himself as the preeminent chronicler of the rotten underbelly of suburbia. His characters are often vile, deplorable, riddled with insecurities; they tend […]
Brit Marling is a bright woman, and an admirable one as well. After graduating with an economics degree from Georgetown, she turned down a lucrative career at Goldman Sachs to […]
Lancaster Dodd and Freddie Quell, the protagonists of Paul Thomas Anderson’s exemplary film The Master, are not quite so different. Freddie (Joaquin Phoenix), while in the Navy, has developed an […]
Paul Thomas Anderson is not a filmmaker who follows convention. After an impressive, yet little-seen debut feature (Hard Eight) and two sprawling masterpieces that saw the young auteur wed Scorsese’s […]
This review was originally published 4 October 2007. Several references to relative dates have been updated to reflect this current posting. The 2000 Presidential election has special significance to me. […]
“I am able to have sex with any beautiful woman I want just because I am so great.” In many ways — many more than are readily apparent — the […]